Overlord, Vol. 3: The Bloody Valkyrie

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Overlord, Vol. 3: The Bloody Valkyrie Book Cover Overlord, Vol. 3: The Bloody Valkyrie
Kugane Maruyama
Yen On
January 31, 2017 (English); March 30, 2013 (Japanese)

Lord Ainz has made great progress moonlighting as the indomitable hero Momon, but what should be a moment of triumph is shattered--by news of rebellion. He vows to find out what has happened and to defend the honor of his guild and home--Ainz Ooal Gown.


The Bloody Valkyrie backtracks a bit from where the previous book stopped, showing what some other characters were up to. It opens with Shalltear, Sebas, and Solution (one of the Pleiades combat maids) off on a mission. (Apologies for the upcoming spoiler, but without it reviewing this book just is not going to happen.) While they start off dominating anyone trying to fight them, things go awry and Shalltear ends up mind controlled. These opening scenes are entertaining, highlighting how monstrous the main characters are compared to normal people. From this point on, the book switches back mostly to Ainz’s point-of-view.

In the first two books, we have seen Ainz and co. completely dominate every opponent they have faced. This time around the opponent is one of their own, someone who is as powerful as the other main characters. Ainz’s character development continues in this book as he begins to view his minions more as people. Most of them are modeled after their creators, Ainz’s old friends, and observing them reminds him of the good old days and makes him long for those long-lost companionships. These feelings are ultimately what make Ainz decide to face Shalltear in a one-on-one battle.

The big battle between Ainz and Shalltear is obviously the main part of The Bloody Valkyrie. As the story explains, Shalltear’s fighting style is pretty much designed specifically to kill magic users like Ainz. This part of the story does make more sense for readers who have played MMO games and are familiar with their combat mechanics. The novel is also much more detailed in that regard than the television show was, allowing for better explanations of the combat scenes. Kugane Maruyama does very well when writing fight scenes and that really gets a chance to shine in this book.

Like in the last book, there were scenes in The Bloody Valkyrie that were downplayed in the television show. Some of these scenes were probably cut short for time constraints and still worked within the show. However, two key scenes were omitted from the anime entirely. These scenes are probably not going to be too important until later in the story and the TV show producers likely did not know if they were getting renewed for another season when that decision was made, so it is understandable if disappointing. Still, if you want to keep up with this series this is a book that cannot be skipped in lieu of watching this show.

July 16, 2017

Overlord, Vol. 2: The Dark Warrior

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Overlord, Vol. 2: The Dark Warrior Book Cover Overlord, Vol. 2: The Dark Warrior
Kugane Maruyama
Yen On
September 27, 2016 (English), November 30, 2012 (Japanese)

It has been a week since Momonga logged in to his favorite RPG one last time and stranded himself there. Now he leads his guild as the Ainz Ooal Gown overlord. Finding himself in dire need of better information, he travels disguised as an adventurer to the walled city of E-Rantel, with Narberal the battle maid at his side. The pair accept a mission to retrieve medicinal herbs, making for a forest said to be the home of a great and wise beast. But the sinister influence of a fanatical cabal approaches E-Rantel, and the armor-clad Ainz will face both a ruthless warrior and a legion of the undead!


The Dark Warrior picks up one week from where The Undead King left off. With almost no knowledge of this strange new world, Ainz sets off for intelligence gathering. Donning a dark suit of armor and the name Momon, he poses as an adventurer to learn the lay of the land. This premise shows that Ainz is clever enough to be cautious. His battles in the previous book leave the impression he is nigh invincible in this new world. But he does not know that for sure and does not assume it. Ainz wants to take things slowly and find sure footing, as opposed to immediately becoming overconfident.

Ainz’s plans for the future stick out in other ways as well. The currency in the new world is different from the money he has stockpiled, which has two effects. One, he cannot spend most of their money without giving away that he is a “foreigner”. Two, he has no idea if the new money will work to create items, cast magic spells, etc. Despite being in a real world, video game rules do apply to Ainz’s new life. Not necessarily all of the same rules he is used to though, hence his extreme caution.

Besides Ainz, we do get some other good character development in this book. One of the Pleiades (battle maids), Narberal, accompanies him disguised as an adventurer so we get to flesh her out. A slew of new characters come in as well; a group of adventurers, their client, and a villain. The Swords of Darkness adventurers are a happy, campy group of well-rounded, typical adventurers. They gave a good feel for what most adventurers in this world are probably like. In the story they take a job for Nfirea, a talented young potion maker. He was a smart character who was put together well; hopefully we see more of him in the future. Lastly was the villainess Clementine; man, she was a cold-hearted snake. A nasty, nasty lady who is probably as evil as some of the literal monsters Ainz hangs out with.

The Undead King seemed more about world building while The Dark Warrior seemed more focused on characters. Notably, there were some differences from the television show in here as well. While the episodes that covered The Undead King did not leave much out, a lot of scenes from The Dark Warrior were either cut short or omitted completely from the show. It made the story much easier to follow in the book, which will make me happy to keep reading Overlord!

July 9, 2017

Overlord, Vol. 1: The Undead King

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Overlord, Vol. 1: The Undead King Book Cover Overlord, Vol. 1: The Undead King
Kugane Maruyama
Yen On
May 24, 2016 (English); July 30, 2012 (Japanese)

The once popular game Yggdrasil was supposed to shut down that day. Everyone was supposed to be logged out automatically. But the players who stayed online past the moment the servers went quiet found themselves transported to a game world made real. Leading them is Momonga--a man whose love of games in the real world brought him only loneliness, now a skeletal sorcerer. The legends of Momonga and his guild begin here!


Overlord is a “trapped in a game” story, similar to Tron or Log Horizon. The rules here are a little different from some other “stuck in virtual reality” stories. It is just one guy (username Momonga) who is trapped instead of the usual group of people. Despite not having other players trapped with his, the NPCs controlled by his guild have all come to life. They are now real people, but their personalities stay just like in the game. Saying they view Momonga as the boss is an understatement; he is more like a god to them.

This world they are trapped in is a bit different from similar stories as well. The video game Momonga was playing, Yggdrasil, is not where they are. They have been transported to an entirely new world; they are in unknown territory. By and large Momonga and his Guardians (essentially generals who defended his guild base from invaders in Yggdrasil) seem to be extremely powerful in this new world, but for all they know something just around the corner could be tough enough tOverlord, o crush them like ants. Interestingly, the book does not mention how or why Momonga got stuck in this new world. It just…happens. Presumably, that is a point that will be covered in the later books.

As characters, Momonga and the Guardians seem more in line with villains than protagonists. You have a lich (Momonga), demon man, a pair of dark elves, giant bug-man, vampire girl, demon lady, and a butler who probably is not human either. Beyond Momonga, there is not too much character development in this book. At the beginning of the book it is shown that each of the NPC characters had backstories in the game, so we will probably learn more about them later on in the series.

Usually the goal in these “trapped” stories is to get out and go home. Momonga has absolutely no interest in doing that. On the contrary, he seems happy with this turn of events. He has gone from being a video game obsessed office worker to a supreme overlord with an army overnight. Momonga is, if anything, the bad guy. He has become an (evil?) undead with a legion of monsters ready to serve him. By no means is he a nice person in this story, but he is not unnecessarily killing or torturing people either. But he would do both of those things if it furthered his goals. A lot of things in this story seem to be on the flipside of what you would usually expect and that is what makes it so interesting.

July 2, 2017

The Autopsy of Jane Doe

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Poster for the movie ""

The Autopsy of Jane Doe

Every body has a secret.

20161 h 26 min

Father and son coroners who receive a mysterious homicide victim with no apparent cause of death. As they attempt to identify the beautiful young "Jane Doe," they discover increasingly bizarre clues that hold the key to her terrifying secrets.

Director André Øvredal
Runtime 1 h 26 min
Release Date 21 December 2016
Movie Media DVD
Movie Status Available
Movie Rating Very good

The Autopsy of Jane Doe is one of the most terrifying modern horror films we have. Saying it is one of the scariest films ever would not be much of an exaggeration. Typically, I am not a fan of films where the villain is some unseen force. But this one was good over to get me over my prejudice. Even if, like me, you are not a fan of ghost/haunting movies, watch The Autopsy of Jane Doe. This film puts itself in Blair Witch Project and Babadook territory with how terrifying it is.

Our cast in the film is small, focusing on a father-son pair of morticians for most of the movie. Both characters are fairly normal guys who are relatable. Having a young man plus an older gentleman made for a good dynamic as their terror slowly increases. There are a few supporting characters as well, primarily the young mortician’s girlfriend and the town sheriff who has been investigating a mysterious homicide and brings the Jane Doe to the morgue. While their involvement in the film is somewhat minimal, they are still good characters who play their roles well. And then of course there is the villain of the film but not much can be said about them due to spoilers.

Many modern horror movies just try to make audiences feel disgusted. Throw a few buckets of fake blood all over the screen and add in jump scares here and there. A lot of modern cop dramas and other late air TV programs show people getting their heads blown off and being tortured five nights a week, so simple blood and guts just do not cut it anymore. The Autopsy of Jane Doe is scary because it psychologically messes with you. Audiences will spend most of the film thinking about what could be there. Is it behind the door in front of you? Or is it behind you, lurking in the shadows?

Leaving horror to the imagination is a very strong approach in this genre. For some other forms of storytelling, it is just lazy. You cannot name any timeless classics that are “choose your own ending” books for a reason. But when people are afraid, they tend to imagine whatever they fear most. You become convinced that the monster is lurking in that one particular spot. That at any second, it will jump out and grab you. And then the danger comes from somewhere you did not expect. Maybe you will not even see it coming. The film itself certainly seemed to come out of nowhere with how good it was.

June 25, 2017

The Women in the Castle

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The Women in the Castle Book Cover The Women in the Castle
Jessica Shattuck
Historical Fiction
William Morrow
March 28, 2017

Set at the end of World War II, in a crumbling Bavarian castle that once played host to all of German high society, a powerful and propulsive story of three widows whose lives and fates become intertwined—an affecting, shocking, and ultimately redemptive novel from the author of the New York Times Notable Book The Hazards of Good Breeding

Amid the ashes of Nazi Germany’s defeat, Marianne von Lingenfels returns to the once grand castle of her husband’s ancestors, an imposing stone fortress now fallen into ruin following years of war. The widow of a resistor murdered in the failed July, 20, 1944, plot to assassinate Adolf Hitler, Marianne plans to uphold the promise she made to her husband’s brave conspirators: to find and protect their wives, her fellow resistance widows.

First, Marianne rescues six-year-old Martin, the son of her dearest childhood friend, from a Nazi reeducation home. Together, they make their way across the smoldering wreckage of their homeland to Berlin, where Martin’s mother, the beautiful and naïve Benita, has fallen into the hands of occupying Red Army soldiers. Then she locates Ania, another resistor’s wife, and her two boys, now refugees languishing in one of the many camps that house the millions displaced by the war.

As Marianne assembles this makeshift family from the ruins of her husband’s resistance movement, she is certain their shared pain and circumstances will hold them together. But she quickly discovers that the black-and-white, highly principled world of her privileged past has become infinitely more complicated, filled with secrets and dark passions that threaten to tear them apart. Eventually, all three women must come to terms with the choices that have defined their lives before, during, and after the war—each with their own unique share of challenges.

Written with the devastating emotional power of The Nightingale, Sarah’s Key, and The Light Between Oceans, Jessica Shattuck’s evocative and utterly enthralling novel offers a fresh perspective on one of the most tumultuous periods in history. Combining piercing social insight and vivid historical atmosphere, The Women in the Castle is a dramatic yet nuanced portrait of war and its repercussions that explores what it means to survive, love, and, ultimately, to forgive in the wake of unimaginable hardship.


The Women in the Castle is by no means a book you would find in the humor section, but it does bring a quote from “MASH” to mind.

Hawkeye: War isn’t Hell. War is war, and Hell is Hell. And of the two, war is a lot worse.

Father Mulcahy: How do you figure, Hawkeye?

Hawkeye: Easy, Father. Tell me, who goes to Hell?

Father Mulcahy: Sinners, I believe.

Hawkeye: Exactly. There are no innocent bystanders in Hell. War is chock full of them – little kids, cripples, old ladies. In fact, except for some of the brass, almost everybody involved is an innocent bystander.

This story is the rare WWII novel that focuses on the life of civilians who were affected by the conflict. They are German civilians, on top of that. The three women this story follows all find themselves in the same situation, yet they all walk different roads. None of them asked for their country to go to war or their husbands to die. They did not ask to be widows trying to care for their children in a broken land. Their lives were shattered and they were thrown together, forced to reassemble the pieces as best they could.

Another factor making this book unique is that it mostly takes place after the war. WWII stories tend to focus on the conflict itself, the battles and the action. There are bits in The Women in the Castle taking place before and during the war but most of the book is afterwards. This story goes beyond the typical “Allies good, Axis bad” set-up. It shows that there were people within the Axis powers who disagreed with their leaders to the point of self-sacrifice. And when these individuals failed to bring down the Nazi party they left families behind.

For everything these women go through, you have to remember that they were the lucky ones. They were considered to be “pure” (Aryan) enough to not simply be executed. These women had food for themselves and their children. Their home was sturdy and heated; it was not a bombed out ruin in a city. But their country was broken and almost an entire generation of men was gone. To see how these people survive in the aftermath of such an unimaginable atrocity is becoming harder to depict. As time marches on, people begin to forget the terrors of the past. Even the greatest terror that the world has ever seen are being forgotten when not even a century has passed. It is crucial to remember that while this story is fiction, these horrors were real. People like these women and their children and everyone around them were real.

June 18, 2017

Star Wars: Empire’s End

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Star Wars: Empire's End Book Cover Star Wars: Empire's End
Star Wars
Chuck Wendig
Del Rey Books
February 21, 2017

Following "Star Wars: Aftermath" and "Star Wars: Life Debt," Chuck Wendig delivers the exhilarating conclusion to the "New York Times" bestselling trilogy set in the years between "Return of the Jedi" and "The Force Awakens."


Aftermath: Empire’s End is the third in a trilogy so this review will contain some spoilers regarding the first two books, Aftermath and Life Debt.

The Aftermath trilogy did not start off very well received. The first book was Disney’s first story in the new continuity taking place after Return of the Jedi. People expected lots of details and developments and such from it and the book just did not deliver that. The sequel, Life Debt, was a bit better because it had more meat on its bones. Neither of these books was necessarily bad in and of themselves; they just did not live up to the hype.

Now we get to Empire’s End, where things start to come together. We know that this book is going to feature the Battle of Jakku, which The Force Awakens told us was the Empire’s last stand. That one battle alone makes this novel important to the franchise as a whole. As do the villain Gallius Rex’s strategies during said battle, as he is carrying out orders from the late Emperor. But beyond that key battle, the stories of this trilogy just are not that interesting. If you are a diehard Star Wars fan that wants to know all the lore, you will get more enjoyment from this. For people who are more interested in the key details, not so much.

Empire’s End largely features the same cast of characters from the previous books. And Star Wars loves to mix and match their characters across stories. Sloane got her first appearance in the novel A New Dawn and popped up in the Kanan comics before becoming a central character here. Temmin is present at the mission briefing in The Force Awakens and popped up in the Poe Dameron comics. Letting the characters be fleshed out across multiple stories, even if they only have minor roles later on, really makes them feel more important and worth the pages spent on their development.

Like the previous two books, Empire’s End features little interludes throughout the story. We see various characters from across the movies doing stuff, but never in too much detail. For the first book, this made a lot of sense. Aftermath came out before Episode VII and Disney did not want to give too much away. These instances feel more like teases than real information but maybe Disney will expand on some of that later.

Try to think of this book as 3.5 out of 5. Independently it feels like it could be 4 stars for a big Star Wars fan, but the fact that you have to read the first two (much worse) books to understand this one just bogs Empire’s End down.

June 11, 2017

Emperor of Thorns (Broken Empire #3)

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Emperor of Thorns Book Cover Emperor of Thorns
Broken Empire
Mark Lawrence
August 1, 2013

King Jorg Ancrath is twenty now—and king of seven nations. His goal—revenge against his father—has not yet been realized, and the demons that haunt him have only grown stronger. Yet no matter how tortured his path, he intends to take the next step in his upward climb.

Jorg would be emperor. It is a position not to be gained by the sword but rather by vote. And never in living memory has anyone secured a majority of the vote, leaving the Broken Empire long without a leader. Jorg plans to change that. He’s uncovered the lost technology of the land, and he won’t hesitate to use it.

But he soon finds an adversary standing in his way, a necromancer unlike any he has ever faced—a figure hated and feared even more than himself: the Dead King.


This review will contain spoilers for the first two books in the trilogy, Prince of Thorns and King of Thorns.

Emperor of Thorns, like the previous book, starts off a few years after its predecessor. Jorg is now 20 years old and ruler of 7 nations. This, coupled with his cruelty and unpredictability, makes him one of the more powerful rulers of the Broken Empire. The world that Mark Lawrence has built here is fantastic but it is really Jorg’s cruelty that makes this great. Fantasy books often have people who are heroes or, bare minimum, anti-heroes. Jorg is by no means either of those things.

Saying that Jorg is a villain would be a bit of a stretch, but not by much. We have seen him murder, torture, rape, lie, cheat, and steal with a smile on his face. But he does not act this way out of glee or a sick sense of satisfaction. Jorg’s demeanor is, “This dark world is ruled by monsters, so let me be the greatest monster.” Despite being a morally terrible person, Jorg does mellow out a bit as the trilogy progresses. He goes from “I will take what should be mine” to “the world needs a strong leader”. He just sees himself as the best candidate to be a leader who can kill the true villains.

The series was full of other wonderful characters as well, like Sir Makin and Gorgoth. While the story very much focuses on Jorg, we still get other character development. We see Jorg’s brothers and other people around him transition from soldiers to leaders, enemies to allies, and more. Making Jorg an unstoppable force through intellect and some dumb luck instead of making him a legendary warrior or prodigy mage is also a nice touch compared to some other fantasy series.

Like King of Thorns, Emperor of Thorns does feature flashbacks. These kick off where the previous flashbacks stopped, so they still take place between the first two books. The jumping around between these two times, and between multiple characters, can make things a bit muddled. I was almost tempted to read the flashback parts separate and then carry on and who knows, maybe the story would have seemed smoother that way. Despite that little bit of confusion, the Broken Empire Trilogy is truly a gem. The characters who are terrible yet “the good guys”, the combination post-apocalypse sci-fi/fantasy world, and Mark Lawrence knowing when to stop instead of milking a franchise for decades make this one of the best modern fantasy series.

June 4, 2017

Lindsey Stirling: Brave Enough

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Poster for the movie "Lindsey Stirling: Brave Enough"

Lindsey Stirling: Brave Enough

Her Story. Her Stage.

20171 h 15 min

Beginning on the eve of her thirtieth birthday, “Brave Enough,” documents violinist Lindsey Stirling over the past year as she comes to terms with the most challenging & traumatic events of her life. Through her art, she seeks to share a message of hope and courage and yet she must ask herself the question, “Am I Brave Enough?” Capturing her personal obstacles and breakthrough moments during the “Brave Enough,” tour, the film presents an intimate look at this one-of- a-kind artist and her spectacular live performances inspired by real-life heartbreak, joy, and love.

Runtime 1 h 15 min
Release Date 17 May 2017
Movie Media Other
Movie Status Available
Movie Rating Excellent

Brave Enough depicts the self-made career of the electro dancing violinist Lindsey Stirling. Whereas her book, The Only Pirate at the Party, was more about Lindsey’s childhood and how she got to where she is, Brave Enough focuses more on Lindsey today. The movie is a bit easier to understand if you already know a bit about her; there is only so much you can fit into a 70-minute film. Even if you go into this film blind, it is still a phenomenal story. The way that Lindsey has built herself up, how she always gets back up no matter how many times she falls down, is truly inspiring.

In her career, Lindsey has risked everything to succeed more than once. She played violin from the age of six and tried to find her way with general music. But when classical, country, and everything else did not work, she invented her own style. As a modern star, she was able to more or less make herself thanks to the digital age. Once her videos were on YouTube they went viral and started drawing a lot of attention. This, following her quarterfinalist status on America’s Got Talent, really threw her into the limelight.

But this was not an easy journey for her; she did not win America’s Got Talent and that devastated her at the time. You have to remember that she is a young woman and was even younger (23) when all this started. Throughout her musical career, and her life in general, she has had her share of hardship. She has battled against anorexia as well as the loss of her best friend and the loss of her father. Brave Enough shows there are days where Lindsey seems at a point where most other people would break, but she keeps going.

Throughout the film, Lindsey says that she is not a naturally brave person. The way she behaves is not instinct; it is how she has shaped herself. That resolve coupled with the help of her family and friends has helped her overcome every obstacle. She has transformed from a girl who looked lost and broken to a woman who is living her dreams. Life is not something that plays out perfectly but she has played it as masterfully as she plays the violin. As Lindsey herself puts it, “We can’t block ourselves from emotion. If you numb the bad, you numb the good.” She has followed that philosophy through and through because she has found the strength to be Brave Enough.

May 28, 2017

Killing Floor (Jack Reacher #1)

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Killing Floor Book Cover Killing Floor
Jack Reacher
Lee Child
Jove (originally Putnam)
October 30, 2012 (mass market); March 17, 1997 (original)

Ex-military policeman Jack Reacher is a drifter. He’s just passing through Margrave, Georgia, and in less than an hour, he’s arrested for murder. Not much of a welcome. All Reacher knows is that he didn’t kill anybody. At least not here. Not lately. But he doesn’t stand a chance of convincing anyone. Not in Margrave, Georgia. Not a chance in hell.


Killing Floor is the first book in the 20+ year Jack Reacher series. If you had to describe this book in a single word, “thriller” would do nicely. Jack Reacher himself if your standard hero tough guy. Ex-military, a drifter, the man who never quits…you know the type. Whether tracking down clues to solve the mystery or taking out a room full of bad guys, Jack Reacher is your man. When some bad types mistake him for a hobo and try to make him a scapegoat, things get violent.

Everything you can expect to find in a 30-year old action movie can be found here. Jack Reacher, the hero with demigod level combat expertise. The one attractive woman in town who instantly shacks up with Reacher. Evil villains whose motivation is their own corporate interests. A small group of locals who want to help Reacher take back their town from the jowls of corruption. Gunfights, murder, mystery, vengeance, and everything else 80’s action movies were glorified for. Reacher himself makes for a good character because he is smart. Yes, he gets surprised a few times, but that is required in a thriller. He does have strong deductive reasoning from his military background as opposed to being a “just shoot everyone” action hero.

Bearing the action movies of yonder years’ style as its standard, the Killing Floor is not a realistic novel. There are plot holes, there are moments where Reacher pulls a rabbit out of a hat, and there are bits where sheer dumb luck saves the day. But you do not watch an action movie for deep, integral plots. You watch it so you can see evil, scheming people and their thugs get blown away by high caliber weaponry. Reacher himself is a hard mother-f’er who does not let anyone push him around. And he is more than willing to do a bit of pushing himself when someone ticks him off.

For readers who do like taking an analytical approach, this book is probably not for you. The writing is…ok. There are many spots where dialogue, grammar, etc. could have used some improvement. However, Lee Child has produced over 20 more of these things since Killing Floor came out so it is probably a fair assumption that the writing quality improves across the subsequent sequels. While the books did not blow me away, it is interesting enough to read the next one. So long as they stay action packed that will be good enough for me.

May 21, 2017

A Dance of Cloaks (Shadowdance #1)

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A Dance of Cloaks Book Cover A Dance of Cloaks
David Dalglish
Orbit (originally CreateSpace Independent Publishing Platform)
October 8, 2013 (Orbit); August 16, 2010 (original)

Thren Felhorn is the greatest assassin of his time. Marshalling the thieves’ guilds under his control, he declares war against the Trifect, an allegiance of wealthy and powerful nobles.

Aaron Felhorn has been groomed since birth to be Thren’s heir. Sent to kill the daughter of a priest, Aaron instead risks his own life to protect her from the wrath of his guild. In doing so, he glimpses a world beyond poison, daggers, and the iron control of his father.

Guilds twist and turn, trading allegiances for survival. The Trifect weakens, its reputation broken, its money dwindling. The players take sides as the war nears its end, and Thren puts in motion a plan to execute hundreds.

Only Aaron can stop the massacre and protect those he loves…

Assassin or protector; every choice has its consequences.


A Dance of Cloaks caught my eye when I found a copy of the second book, A Dance of Blades, at a book fair. “Magic and assassins,” I thought, “cool; maybe it will turn out better than Brent Week’s Night Angel trilogy did.” While the assassins are called thieves throughout the book, they are more so assassins. These are not the “if he doesn’t listen, send him a message” type of thieves. They are the “if he doesn’t listen, kill him and move on” types. They seem less interested in stealing than in just murdering everyone who does not bend the knee to them.

For a fantasy world, A Dance of Cloaks is fairly typical. Readers get a map in the front of the book, there are lots of complicated names of far-off places that get mentioned once in passing and never again, a few different types of magic exist (paladins, priest wizards, regular wizards, etc.), and so forth. David Dalglish’s works are in a shared universe, so maybe some of these places are more relevant in oAther books. As a nice touch, the main character did not have magic but is still competent. Fantasy gets old when every main character is awesome mostly because they have some kind of super-magic.

There is a fair amount of action in the story and it gets pretty bloody at times. This scales from combat sequences to outright torture of some characters. Most of it is not horrifically descriptive, but it is enough that some readers may be squeamish. A lot of the characters, being either thieves or evil rich people, are detestable human beings. Not quite King Joffrey level, but still pretty bad. A lot of these characters, unfortunately, stay the same throughout the book. It is mostly the younger ones, whose hearts have not been hardened by the war between thieves and the rich folk, who are able to change and get good character development.

The end of A Dance of Cloaks was…not the best. Things really start to get revved up and then just kind of stop. Since there are five sequels this makes sense, but you do not get a full story reading this book alone. Things get pretty chaotic and rushed towards the end and suddenly boom, it’s over. That being said, it is all enjoyable enough to read the next book. A Dance of Cloaks was not necessarily spectacular, but entertaining enough to build upon itself in the sequels.

May 14, 2017